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Share via Email A self-portrait by Emmanuel Cooper from Photograph: Ceramic Review Emmanuel Cooper, who has died of cancer aged 73, was a leading potter, who also became widely known as a writer, editor, critic, biographer, teacher, broadcaster, curator and campaigner for gay rights. His wide cultural and artistic interests and activities were pursued with a relentless energy and great entrepreneurial skill which made him a powerful advocate for the crafts and visual arts. Pottery was Emmanuel's first and enduring passion. In the s he quickly established a reputation not only as a craftsman in his own right, but also as an effective mover and shaker in the ceramics world.
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Increasingly, the answer is that to have dignity gay people must be seen as normal. Perhaps this is why the term "the personal is political" is so reverberant in such a multitude of communities. In the fine arts community, every art piece reflects a personal decision or touch; what medium to best describe a subject or idea in, or the physical shape and making of art by an artist, for example, are ways in which each artist has ownership over their own work. When art is displayed for an audience, the very act of placing a personal piece into the public sphere creates a forum for interactive and political dialogue and judgment. To present artwork in a public arena authorizes the audience to construe interpretation and assessment on that art.
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I am also fortunate enough to have one of his mugs which I purchased directly from him a couple of years ago at Ceramic Art London and think of him whenever I drink from it. Emmanuel Cooper, Emmanuel Cooper, potter, writer, historian, teacher, friend and mentor, died on the 21st of January, He was, and will remain, one of the central figures in British twentieth century ceramics. He was the alchemist who transformed studio pottery from its marginal position with of a handful posh English blokes making wholemeal brown stoneware and a sprinkling of precious pottery ladies pursuing a wholesome hobby in the garden shed, to the fully fledged, vibrant, professional craft that it now is, thriving in the art world and imposing itself on the reluctant consciousnesses of the literati and media-ristocracy. In , with Eileen Lewenstein, he founded Ceramic Review, which evolved into one of the most respected art magazines on the market with an international readership and profile.
He also achieved a PhD degree at Middlesex University. He was a member of the Crafts Council and the editor of Ceramic Review. He was the author of many books on ceramics, including his definitive biography of Bernard Leach that was published in Yale University Press , and was also the editor of The Ceramics Book, published in
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